Japanese art and Keisai Eisen: Reality and unreality and the View of Shogetsu Pond

Japanese art and Keisai Eisen: Reality and unreality and the View of Shogetsu Pond

Lee Jay Walker

Modern Tokyo Times

If one views the stunning image of the View of Shogetsu Pond by Keisai Eisen, then only images of tranquility, order and a nation at peace comes to mind. It appears that nature, order and a majestic rural life fits smoothly together. Therefore, one can easily depict an image of idealism whereby nature and humanity blend together.

Likewise, if we take this image by itself and try to analyze the artist from such a scenic piece of art, then it would appear that the artist was at peace with himself. After all, buildings are in the background and the natural towering strength of the mountains in the distance seems to imply order and control. Also, the individuals in this piece of art seem in a natural order and the same applies to the pond, trees and every single aspect of the View of Shogetsu Pond.

However, looks can easily be deceiving because the artist Keisai Eisen faced many demons related to drink and owning a brothel. This reality seems a million miles away from the delightful scenery of the View of Shogetsu Pond.

Yet, Keisai Eisen was also known for wit and one never really knows how deep his drinking was. Likewise, was the brothel the “real deal” or something that the artist played up in order to generate rumors and whispers? In this sense, just like the image of the View of Shogetsu Pond, it is clear that many things are a mirage in life but often people change mirages and believe that they are true.

Or, it could just be that Keisai Eisen was disillusioned with the trappings of life. Therefore, this piece of art represents a distant desire within his soul. Yet, of course this is nothing more than pure speculation. In saying that, it is speculation which the artist would appreciate because he was blessed with so many talents related to art and writing.

Keisai Eisen once stated that he was “…a hard-drinking, rather dissolute artist.” This statement is clearly a mirage to reality. After all, Keisai Eisen was blessed with so many skills in the field of art and writing. He clearly knew that many individuals thought highly about his skills and this statement suits the wit of this amazing artist.

Turning back to the brothel comment then it is factual that this type of business did exist in Nezu, Tokyo. Yet, the reasons related to the usage and the role of Keisai Eisen remains debatable. Many individuals have stated various statements about the reality of this brothel. However, these comments are often conflicting. Therefore, speculation remains the order of the day with regards to the true nature of his role in this brothel.

It also could be that the View of Shogetsu Pond by Keisai Eisen lacked any real meaning to the artist. Yet, if you view this one majestic piece of art by itself, then it is nice to dream and think deeply. In this sense, the image and nature of Keisai Eisen represent the mirages of life whereby individuals try to understand the bigger picture. However, in the distance of time, then does the bigger picture mean anything?

http://www.viewingjapaneseprints.net/texts/ukiyoetexts/ukiyoe_pages/eisen3.html　

http://www.artelino.com/articles/keisai-eisen.asp　

leejay@moderntokyotimes.com　

http://moderntokyotimes.com　

Japanese art, culture and the Yamabushi: Benkei and the loyal warrior monk

Japanese art, culture and the Yamabushi: Benkei and the loyal warrior monk

Lee Jay Walker

Modern Tokyo Times

In Japanese culture, history and art, it is clear that Saito no Musashibo Benkei left a lasting impression and this continues today in modern culture. This legendary warrior monk belonged to the intriguing period of the 12th century. He was born in 1155 and died in 1189 after serving the famous Minamoto no Yoshitsune.  The images in this article come from the esteemed toshidama (Toshidama Gallery), whereby you can feel the power of Benkei and visually understand how he was portrayed in Japanese art.

Benkei is famous within the folklore of Japan because of his enormous strength which was matched by great loyalty. In the realm of Japanese art and the majestic ukiyo-e movement, then Benkei provides a wealth of images by many famous artists.

It is noted that he was extremely tall because by the age of seventeen Benkei had reached two meters in height. This is still very tall by the standard of today. On top of this was many other great attributes which belong to his fighting skills and the knowledge he obtained during his travels to many Buddhist monasteries.

Of course, within Japanese folklore and the mysteries of history and Shintoism, then many intriguing stories evolve around Benkei. He firmly belongs to the power and prestige of Buddhism and the warrior class that emerged during this period of Japanese history. However, just like Judaism, Christianity and Islam have all been influenced by the Pagan culture where they developed; this similarly happened to Benkei because the power of Shintoism was fused within many elements of Japanese Buddhism and folklore. Therefore, these intriguing stories about Benkei clearly have survived the test of time because he remains a potent figure today in modern Japan.

Much depends on the Benkei which appeals to the storyteller but within Japanese art and the tradition of ukiyo-e; it is clear that the term Oniwaka is merged within the nature of this famous warrior monk. Oniwaka means the “demon or ogre child.” Of course, many other fascinating stories evolve around Benkei including his deeds on the battlefield. For example, it is stated that he defeated at least 200 military men during major battles throughout his life. This of course may be exaggerated or it may not; yet the point is that his fame within the warrior class appealed greatly when judged with his great physical strength and the loyalty that bestowed him throughout his lifetime.

It is also reported that Benkei in time became a yamabushi (mountain warrior monk) and for this reason he is often depicted in a cap. This fits in well with the yamabushi who had many fine qualities. After all, the yamabushi were not only mighty warriors who were blessed with respective supernatural powers. Equally important, was the ascetic nature of the yamabushi and the exemplary knowledge they held related to the Shugendo doctrine.

The Shugendo doctrine evolved around the fusions and integration of many powerful thought patterns. This applies to the school of Shingon Buddhism and the esoteric nature of this faith, the rich heritage of Shinto, the Tendai Buddhist faith and the great philosophy of Taoism. Therefore, the yamabushi were not just mysterious holy men who had mighty powers in the area of military strength; but equally powerful was the knowledge that each individual had obtained in this world and how they utilized this with the mystery of nature.

His loyalty remains famous today and the Toshidama Gallery sums up Benkei extremely well when it comes to the loyalty of this esteemed individual. Toshidama states that “…he was raised by monks who were both religious and military. As a young man he positioned himself at one end of Gojo Bridge and disarmed travelers of their swords. On reaching his 999th sword he fought with a young nobleman, Minamoto no Yoshitsune, who won the battle of the bridge and thereafter Benkei served as his principal retainer. They fought in the Gempei Wars between the Taira clan and their own Minamoto clan.”

If you are intrigued about Benkei then this article is providing just a snippet of the importance of Benkei within many aspects of Japanese culture, history and folklore.

http://www.toshidama-japanese-prints.com/item_473/Toshihide-Portraits-of-Sansho–Ichikawa-Danjuro-IX-as-Benkei-1893.htm

http://www.toshidama-japanese-prints.com/item_391/Kunisada-Benkei-and-Yoshitsune-fighting-on-Gojo-Bridge.htm

http://www.toshidama-japanese-prints.com/item_237/Kunisada-Portrait-of-Benkei.htm

http://www.toshidama-japanese-prints.com/item_246/Yoshitaki-Benkei-and-Yoshitsune-at-Gojo-Bridge.htm

leejay@moderntokyotimes.com

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Tokyo and Osaka fashion: H&M to introduce Monki and Weekday to Japan in the future

Tokyo and Osaka fashion: H&M to introduce Monki and Weekday to Japan in the future

Kanako Itamae and Michel Lebon

Modern Tokyo Times

The fashion company Hennes & Mauritz AB (H&M) is going from strength to strength in Japan. This reality means that H&M will introduce two of their brands to Japan within the near future. Currently, it is perceived that the brands Monki and Weekday will be introduced to Japan in early 2014 but this date could feasibly be moved forward.

H&M in 2012 decided on opening up new stores in Japan and this most notably applies to Nagoya. After all, in Tokyo and other parts of Kanto the brand H&M is part of the fashion landscape for many fashion lovers. The other major city which was targeted by H&M was Osaka. However, it is hoped that in the future that this company will further consolidate in other parts of Kansai because of the vibrancy of the entire region.

The vibrancy of fashion in major cities like Tokyo and Osaka is simply amazing. This applies to the intriguing variations of fashion within Tokyo and Osaka respectively. It is more than likely that Monki and Weekday will follow the Tokyo and Osaka route.

Fashion in Japan is an extremely vibrant sector and clearly H&M is raking in the rewards. Sales throughout the first nine months of 2012 in Japan remain vibrant, despite the negative global economy. This reality means that H&M is extremely positive about the future of this company in Japan. Therefore, it is believed that not only will Monki and Weekday enhance the reputation of H&M in Japan; but equally important, this new initiative will preserve the reputation of H&M because both brands will bring a new freshness.

On the following link (http://www.adbrands.net) many fine attributes are stated about H&M. The above highlighted website comments that “H&M is one of Europe’s two leading clothing brands, seemingly immune from the woes than have plagued many other retailers, not least US rival Gap. One key selling point has been an annual collaboration with different star designers.”

In many fashion surveys in Tokyo the name H&M featured highly with regards to ladies who adore the richness of amazing boutiques. Therefore, if the past is to be relied on, it would appear that Monki and Weekday will further enhance H&M in Japan.

 

leejay@moderntokyotimes.com

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Japan and China and the Senkaku/Diaoyu dispute witnesses a quiet America

Japan and China and the Senkaku/Diaoyu dispute witnesses a quiet America      

Pierre Leblanc and Lee Jay Walker

Modern Tokyo Times

The United States under President Obama is at pains to distance itself from the ongoing and never ending saga of Senkaku/Diaoyu. Japan and China continue to clash over this issue and Taiwan is also waiting in the wings because this nation also claims the same area. However, with respect to Taiwan, it is the clash between Japan and China which appears more problematic.

Japan and America already have differences over military bases in Okinawa. Also, for the indigenous people of Okinawa, then they perceive that their interests have been sidelined by both Japan and America. After all, a sizeable amount of American forces are based in Okinawa. Despite this, on the whole relations between Japan and America are positive because both governments have mutual shared interests throughout the region.

However, the issue over Senkaku/Diaoyu is clearly an unwanted problem in Washington. This reality means that the Obama administration is at pains to keep a neutral stance. Therefore, political elites in Washington are at pains to reduce the tension between Japan and China. This fact is based on history whereby many conflicts have emerged over minor issues which have been blown up by one side, or by both protagonists because of hidden motives related to issues at home.

Kenichiro Sasae, future ambassador to Washington later this month, told the Asahi Shimbun that “The U.S. government has made it clear that the islands are covered by the Japan-U.S. Security Treaty…Its stance cannot be neutral if it is to respond firmly in the event of use of force or provocation.”

This statement by Kenichiro Sasae may be technically correct but not in its entire usage. If Japan was seen to be the party responsible, then clearly America will make their decision on this and other important issues. America can’t give carte blanche to any under-handed policies emanating from Tokyo. This isn’t implying that Japan is to blame for the current state of affairs between Japan and China over the disputed territory. Yet clearly America can ill afford to get involved with a limited war with China over an issue which can’t be sold back home.

Kenichiro Sasae also claims that the purchase of Senkaku/Diaoyu by the Japanese government was the best solution. He states this because Governor Shintaro Ishihara had stated that the metropolitan government of Tokyo would try to purchase the disputed area. Yet, while it is factual that Shintaro Ishihara shares nationalist tendencies, it also seems inconceivable that this couldn’t have been blocked by the legal system of Japan. In this sense, political leaders in Beijing “smell a rat” and irrespective if this is false, it does appear rather strange that such a tame excuse is being provided.

Kenichiro Sasae further comments that “It is important to recognize afresh each other’s role as allies in the changing global and Asian landscape and make a new Japan-U.S. relationship a starting point to cope with challenges together.” This comment is reasonable and applies to all partners internationally which have shared interests. However, the hands of America are tied when it comes to many international issues because no single power can dictate their respective geopolitical objectives.

America and other nations began to meddle in Afghanistan to a much larger extent from 1980 and this entailed many failed policies which initially favored Islamist terrorism and indoctrination. Over 30 years later and Afghanistan remains a failed state whereby opium continues to be sold and where terrorist attacks occur daily. Likewise, Iraq is still in crisis because of terrorism which followed the meddling of America and other nations and now Syria is being destabilized. On top of this, Libya is now a failed state and the chaos from this country is impacting on northern Mali. Maybe Kenichiro Sasae needs to focus on this reality and the growing influence of the Russian Federation, China, BRICS and other nations and organizations.

In another article by Modern Tokyo Times it was stated that “In Japan you have nationalism within the thinking of the two local leaders in Tokyo and Osaka respectively. However, Shintaro Ishihara and Toru Hashimoto are out of step with the majority of Japanese nationals. Their political winning tickets are based on having strong personalities, being focused on business and expressing their thinking openly. Therefore, the current images of nationalists in China attacking things which are connected with Japan seem a million miles away to what is happening in Tokyo, Osaka, Nagoya, Kobe and other leading cities in Japan.”

“The dispute over Senkaku/Diaoyu is not in the interest of both nations but China’s overreaction is raising alarm bells. After all, many Japanese companies have invested in China and clearly it must be unsettling for Japanese nationals residing in this nation and doing business openly under the current conditions. Equally alarming, is that China appears to believe that it can bully Japan into submission by using “the nationalist switch” when deemed convenient.”

“Not all the blame can be put on China. After all, the status quo was not perfect but once Japan bought part of the area and nationalized Senkaku/Diaoyu by stealth; then clearly China was not going to ignore this. However, instead of going through the political channels and addressing things more appropriately, the nationalist angle created a very negative image.”

It is clear that Japan and China have made mistakes once more when it comes to this disputed area. After all, it matters not that Japan made the first error of judgment because the responses aren’t warranted by the tactics employed by political elites in Beijing. The dispute also highlights the decreasing power mechanisms of America and that the alliance between Japan and America isn’t so tight. At no point is Beijing overtly concerned about the role of America over this dispute because political leaders understand that America can ill afford another military conflict. This is based on the recent disasters of Afghanistan and Iraq following on from the distant legacies of Vietnam, Cambodia and Laos.

In this sense, America may trigger an increasing right-wing movement in Japan based on contradictory forces. One, that American bases and policies are an affront to Japan’s independence and secondly that Washington can’t protect Japan when it comes to important territorial disputes with China, the Russian Federation, South Korea and Taiwan respectively. Ironically, it is these two contradictory forces which Tokyo should be worried about and the same applies to America. After all, at the moment it does appear that Japan is on its own when it comes to the Senkaku/Diaoyu dispute. Therefore, the mutual agreements between Japan and America may be “a paper tiger” when it comes to the territorial interests of Japan?

leejay@moderntokyotimes.com

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China, Japan and South Korea fashion show was more than just style and culture

China, Japan and South Korea fashion show was more than just style and culture

Kanako Itamae, Sarah Deschamps and Lee Jay Walker

Modern Tokyo Times

China just held the East Asia fashion show in Beijing and the venue was given extra importance because of the current status of Japan and China relations. Indeed, tensions have also increased between Japan and South Korea because of similar issues related to territory and ownership. Therefore, the East Asia fashion show was a timely reminder that outside of the political realm you have enormous sanity.

Junko Koshino, a Japanese fashion designer, commented that “Politics and culture are essentially different…We will go down together if we remain affected by political fallout.”

This statement may be a little over dramatic because while trade and cordial ties are obviously important between the three nations involved in the East Asia fashion show. It is also factual that each nation is blessed with a diverse trading angle and in times of crisis each respective nation will respond by implementing diversification. Of course, hiccups will occur on the way and this isn’t desired but clearly the sentiments behind the statement by Junko Koshino were deeply appreciated.

China is “the new kid on the block” when it comes to fashion because of past constraints by the Chinese Communist Party (CCP). Yet since the economic reforms of Deng Xiaoping (1904-1997) under his leadership, then China began to open up in the economic arena. Following on from this came the loosening of outside influence because greater openness became the norm and a new China emerged.

Therefore, not only did the domestic nature of fashion in China change but also with each passing year more and more international boutiques desire to enter the vast market of this nation. In South Korea K-pop (Korean pop music) is making waves both regionally and internationally. Not surprisingly, the fashion angle is also starting to blossom outside of South Korea because of the growing awareness of culture from this nation. This isn’t surprising because Korean culture is extremely rich.

Japan, of course, is internationally famous for fashion and this applies to various angles. For example, from elegant and refined fashion designers to kawaii (cute) culture and many subcultures within major cities like Tokyo and Osaka. Likewise, the quality of Japanese fashion is extremely elegant and the fabrics used are of the highest when it comes to high-end fashion in this nation. One only needs to visit trendy fashion districts like Aoyama, Ginza, Harajuku, Ikebukuro, Omotesando, Shibuya, Yurakucho, and many other parts of Tokyo, to understand the power of fashion within this country.

The East Asia fashion show didn’t disappoint because Beijing pulled out all the stops in order to make it a great success. Exquisite designs and the richness of culture were clearly visible because China, Japan and South Korea are blessed with fabulous designers. Also, areas like Confucius values are shared easily between all these nations despite the impact of modernity and new influences which have entered each nation.

Zhang Zhifeng from China and Chang Kwang-hyo from South Korea also echoed the sentiments of Junko Koshino. Therefore, these three amazing fashion designers, and other important individuals who participated in this fashion show; highlighted the need to build new bridges in order to overcome political obstacles.

leejay@moderntokyotimes.com

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US and Japan holding military exercises: People of Okinawa are being marginalized

US and Japan holding military exercises: People of Okinawa are being marginalized

Joachim de Villiers, Hiroshi Saito and Lee Jay Walker

Modern Tokyo Times

The United States and Japan are currently holding military exercises which will last until November 16. Yet the biennial military exercise called Keen Sword appears to show a lack of sensitivity towards the people of Okinawa. This applies to the existing tensions between Okinawa and mainland Japan which continues to brush aside the demands of local people.

Currently the United States military is being forced to keep its head down in Okinawa after recent rape allegations and because of a brutal attack against a teenager. Of course, the issue of American bases throughout Okinawa runs much deeper. This doesn’t only apply to the actions of the United States but also towards the government of Japan. Yet with such recent heightened tensions over the deployment of MV-22 Osprey and the behavior of American troops, then once more it appears that the people of Okinawa are not viewed highly to political leaders based in Tokyo.

In Okinawa, many local people believe that the central government in Japan treats this area like a second-class region. This is based on the reality that a sizeable amount of the armed forces of America are stationed in Okinawa compared to mainland Japan. Historical realities also mean that the indigenous people of Okinawa seem to be a pawn which is openly manipulated by Tokyo and Washington. Therefore, if Okinawa is truly part of Japan, then why are the wishes of local people ignored so much?

The people of Okinawa on the whole are not demanding the expulsion of all American bases but they do want mainland Japan to share the burden. America is not insensitive to the demands of Okinawa but clearly the central government of Japan seems distant. After all, over 70% of all American forces are based in Okinawa despite repeated demands for sharing the responsibility with mainland Japan.

In the New York Times editorial (November 2, 2012) it is stated that “Many Okinawans believe, with justification, that their views are irrelevant to the Japanese government and the United States, whose geopolitical priorities trump local concerns about jet crashes, noise, environmental destruction and crime. That has not stopped protesters from tirelessly raising objections, most strongly in 1995, when three servicemen gang-raped a schoolgirl, and in September, when tens of thousands demonstrated against the deployment of the Osprey.”

Further down in the same editorial it states about America that political leaders“…should move swiftly to lighten its presence on Okinawa, by shifting troops to Guam, Hawaii and elsewhere in Japan. Okinawans will feel safer and less aggrieved only when they believe that Japan and the United States are taking their objections seriously.”

The sad truth is that political leaders in Tokyo appear to view the area to be second-class because historically Okinawa (Ryukyu Kingdom) never belonged to Japan. Therefore, the government of Japan is still viewing Okinawa in a subservient manner. This policy is not only backfiring against political leaders in Tokyo but it is also impacting on America and the military forces based throughout Japan. Given this reality, then Washington should make the first move because little seems to change the hearts of political leaders in Tokyo.

Currently, relations between China and Japan have hit rock bottom because of the territorial dispute. Yet for people in Okinawa it is the lack of transparency within successive governments based in Tokyo which is the real issue.

Therefore, the current joint military exercises by America and Japan in the waters of Okinawa is also a symbol of major powers ignoring the wishes of local people. China may hog the headlines because of the current tense situation with Japan over territory. Yet in Okinawa it appears that their voices count for nothing because countless demonstrations and protests have not altered the major imbalance of American forces being based in Okinawa.

In the Asahi Shimbun (article written by Satoshi Okumura, Norio Yatsu and Tsukasa Kimura) it was stated that“Huge protests erupted in Okinawa Prefecture and other parts of Japan over the deployment of the Osprey to Okinawa Prefecture. Residents and local leaders cited the spotty safety record of the aircraft, and they repeated that the island prefecture continues to shoulder the overwhelming burden of hosting U.S. military bases under the Japan-U.S. security alliance.”

The government of Japan just like China uses nationalist rhetoric over the ongoing territorial dispute between both nations. Ironically, however, many people in Okinawa are also disillusioned with political leaders in mainland Japan because of the second-class nature of the treatment of people from Okinawa. It is time for political elites in distant Tokyo to wake-up to the demands of local people in Okinawa. Also, Washington must do more to defuse the situation.

http://ajw.asahi.com/article/behind_news/politics/AJ201210310074

leejay@moderntokyotimes.com

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Tokyo Fashion and Kimoken: Vintage and Independent Styles in Koenji

Tokyo Fashion and Kimoken: Vintage and Independent Styles in Koenji

Kanako Itamae and Lee Jay Walker

Modern Tokyo Times

Images of fashion in Tokyo conjures up exquisite luxury fashion in Ginza to the unique fashion scene of Harajuku and the various fashion trends which enlighten this amazing part of Tokyo. Refined and elegant fashion can be found throughout many parts of this buzzing city and clearly the fashion districts of Aoyama, Ginza, Ebisu and Omotesando spring to mind quickly. Likewise Daikanyama, Ikebukuro, Jiyugaoka, Shibuya, Shinjuku, Yurakucho and many other districts are awash with amazing brands. However, like all powerful fashion cities in the world you also have a vibrant vintage scene and this notably applies to Koenji and other districts like Shimokitazawa.

Shibuya 109, Laforet Harajuku and Marui One are famous department stores for fashion in Tokyo. Recently, Tokyu Plaza Omotesando Harajuku (Omohara) opened up for business and this new vibrant shopping plaza will enhance Omotesando Hills which is blessed with amazing boutiques throughout the entire shopping mall. However, Koenji is a million miles away from these iconic stores and recent developments which are altering the fashion landscape in places like Harajuku, Omotesando and Shibuya.

One amazing expert who knows about the vibrant vintage fashion scene and other aspects of Koenji is Kimoken (Kenta Kimoto). Kimoken (http://kimoken.exblog.jp/) is an individual who adores fashion and understands the importance of creativity, individualism and the need to discover the “real self.” Therefore, he is constantly updating his websites in order to show “real fashion” connected with the independent vibes of Koenji.

Kimoken (http://blog.livedoor.jp/kimoken/) provides “real street images” whereby the viewer can really understand the unique fashion angles of this part of Tokyo. He also recommends Lactose Intoler-Art (http://lactoseintolerart.tumblr.com/) which is a very interesting website to visit. Obviously, with Kimoken highlighting this creative website then you know immediately that it will have many unique angles.

In a past article about Kimoken by Modern Tokyo Times it was stated that “The reason why Koenji appeals to Kimoken so much is based on the vintage scene, individualism, creativity, fresh designers, the fusion of the past with the vibrancy of youth, the special feel of the place, acceptance of diversity, and because you have no boundaries. Therefore, if you want to visit a fashion district with a unique vibe then Koenji is a must place to visit. Also, the Kita-Kore building in this district is gaining in awareness because of the fashion buzz inside.”

A partial list of fashion companies to visit in Koenji applies to the Mad Tea Party, Spank!, Safari, Yuri, Kiki, Jinjer, dai-dai, Chiruru, Peep Cheep, Zool, Yakusoku, Kuro Benz, Bernet, Sokkyou, Hoy-Hoy Station, Now Or Never, UK Extra, Re’all, Hikari, Mouse, , Vivid, Cord, and Pheb. This is only a partial list. Therefore, it is important to take your time in Koenji in order to seek out other companies which enrich this unique fashion district.

The beauty of the fashion scene in Tokyo is that it is so diverse. Also, individuals are literally spoilt for choice because you have so many vibrant districts to visit. Likewise, the contrasting reality of Aoyama and Koenji are a million miles apart. After all, Koenji highlights the raw edge of Tokyo fashion compared with Aoyama which focuses on the crème de la crème of fashion. Despite this, it is this collective diversity which really makes Tokyo tick and for vintage lovers and people who adore independent fashion vibes, then Koenji provides this.

The powerful favorite phrase of Kimoken also works perfectly with Koenji. He states that he loves the phraseWara e ba wara e. Ware ga nasu koto ha ware nomi zo shiru” (If you want to laugh at me, then do it. What I do is known only by myself). This extremely poignant comment says much about the real vibes of Koenji. After all, in Koenji it is clear that for fashion lovers who flock to this part of Tokyo, that the fashion angle is a way of life. Therefore, the favorite phrase of Kimoken fits in perfectly with the vintage and independent angle of this fashion district.

ALL  IMAGES BELONG TO KIMOKEN 

https://twitter.com/kimoken1979 – Follow Kimoken on twitter 

http://kimoken.exblog.jp/ Kimoken (fashion images and news)

http://blog.livedoor.jp/kimoken/ Kimoken (fashion images and news)

http://www.pheb.jp/ and Pheb

http://bernet.shop-pro.jp/ Bernet

http://chiruru.net/ Chiruru

http://ameblo.jp/cord1006/ Cord

http://daidaikoenji.blog56.fc2.com/ dai-dai

http://hoyhoy.shop-pro.jp/ Hoy-Hoy Station

http://ameblo.jp/greenlight-shoes/ Jinjer

http://kiki-kiki.ocnk.net/ Kiki

http://yaplog.jp/clobenz/ Kuro Benz

http://ameblo.jp/madteaparty-kouenji/ Mad Tea Party

http://ameblo.jp/mikamithemouse Mouse

http://usedclothingnowornever.blogspot.com/ Now Or Never

http://www.peepcheep.com/ Peep Cheep

http://ameblo.jp/realstep2/ Re’all

http://e-safari.co.jp/ Safari

http://www.sokkyou.net/ Sokkyou

http://spankworld.jp/ Spank!

http://uk-extra.com/ UK Extra

http://www.vivid-web.jp/ Vivid

http://www.e-yuri.jp/Page/TOP Yuri

http://zool.jp/ Zool

leejay@moderntokyotimes.com

http://moderntokyotimes.com

Tokyo to decline by more than half by 2100: truth or scaremongering?

Tokyo to decline by more than half by 2100: truth or scaremongering?

Kanako Itamae, Pierre Leblanc and Lee Jay Walker

Modern Tokyo Times

Once more depressing figures released indicate the demise of Tokyo and Japan by 2100 whereby the population will be beyond recognition of what it is today. This is the stark warning according to another dramatic survey which can only see a static and moribund Japan which refuses to implement real social policies.

One interesting aspect of the survey which is negated is the reality of “a secular society” being over reliant on modernity, materialism, abortion and other aspects of the “new world.” It is clear that Japan does face major problems related to the birth rate and this latest survey relates to this. At the same time issues related to communication issues, hikikomori (social withdrawal), suicide and other areas of a social meltdown needs to be focused on.

Of course, issues related to long working hours, high cost of child rearing, new modern approaches to life and other complex factors; are all tearing apart at the declining birth rate in this country. Sadly, the Japanese government appears reluctant to help people who desire to have more than one or two children but who feel burdened to do so because of the financial hardship that this entails.

According to this bleak survey which was taken by seven academics and a number of bureaucrats, the population of Tokyo will decline to 7.13 million in 2100 from the current mark of over 13 million people. This is indeed dramatic because Tokyo and other major cities like Osaka and Nagoya are the backbone of this nation. Unlike many rural areas which are already suffering from declining populations.

Also, this will not be the end of the hollowing out because in 2100 it is predicted that the over 65 age group will account for roughly 45 per cent of the total population of Tokyo. This would indicate an even more severe crisis long after 2100 which would see the continuing demise of Tokyo and Japan itself.

According to alarming figures released by the National Institute of Population and Social Security Research, the overall decline of the population of Japan will be massive by 2100. Currently the population in 2012 is just over 127 million. However, according to the above institute this figure will decline rapidly to 49.59 million by 2100 based on current trends.

Despite this, it is difficult to believe that future governments will not do anything in order to alter the current birth rate crisis. Also, tinkering with immigration would help greatly in the short-term while refocusing on ways to help families afford to have more children. At the same time internal social movements may respond to the current declining population because the strains on the economy will be enormous if something isn’t done to alter the current situation.

In the past Japan was written off in many areas but despite this it is clear that this nation is helping the international community in many ways. This notably applies to helping the United Nations, International Monetary Fund, economic aid to developing nations and assisting the European Union during the current economic crisis.

If any nation can find a way to solve the many complex issues it faces, then Japan is a nation which can reinvent itself quickly. Therefore, while the current analysis applies to the reality of today, it doesn’t mean that the same reality will apply in the future.

http://moderntokyotimes.com

Japanese ukiyo-e art and modern ladies in traditional dress

Japanese ukiyo-e art and modern ladies in traditional dress

Lee Jay Walker

Modern Tokyo Times

Ukiyo-e art in Japan focused on many themes during its “golden period” in the Edo period and carried on into the Meiji era. The world of Japan comes alive visually within many areas of ukiyo-e art because of the subjects covered. It matters not if this art applied to the rich cultural aspects of Japan or the floating world which was truly dramatic.

Sometimes in modern Tokyo and throughout Japan you will see ladies in traditional Japanese clothes during special occasions. When this happens it is often like “looking into a mirror of ukiyo-e” and seeing “a ghost from the past” but which is truly part of the modern world.

This in itself highlights the richness of ukiyo-e in the field of showing traditional ladies in their splendid best. It is also evidence that while Japan is ultra modern, the old world remains powerful even if within “mirages” of the original meaning. Either way, if based on tradition or “mirages,” it is still a noteworthy connection with the past.

Ogata Gekko produced many stunning images of elegant ladies posing in tradition dress. Of course, countless other amazing ukiyo-e artists also focused on the same theme. Therefore, the richness of ukiyo-e art depicts many images of art related to women and this applies to high culture, erotic art (shunga), beautiful ladies (bijinga), ghosts and other themes.

In an earlier article by myself which was published in Modern Tokyo Times I state that “The real power in these images, I believe, applies to simplicity and how space, time, cultural richness and modern Japanese women were being portrayed. Indeed, the ideal image in a sense can still be seen in modern Japan when ladies dress in traditional styles. This can be seen clearly because a lot of thought, high quality materials, color schemes and other important areas are connecting with the images which Ogata Gekko is showing.”

The world of Ogata Gekko witnessed many changes because of the onset of modernity but if he was to come back today, then he would witness glimpses of the old world. Likewise, Torii Kiyonaga (1752-1815) excelled in the area of bijinga because of his amazing details and intricacies.

Torii Kiyonaga is one of the many amazing artists who belonged to the Torii school of art. He emphasized many aspects of women and traditional dress. This applies to high culture, stratification, sexuality, morality, natural elegance, shunga, bijinga and other areas. The art of Torii Kiyonaga is widely appreciated and when viewing his art related to bijinga and seeing a modern lady in traditional dress in Japan, it is easy to connect both together.

Torii Kiyonaga also highlighted exquisite color schemes and amazing embroidery. This aspect of his art would fit in naturally within elegant boutiques in modern day Japan. The special detail and attention given by this amazing artist meant that he depicted elegant and refined ladies, who look extremely beautiful. Therefore, during special occasions in modern day Japan you can see aspects of the world of ukiyo-e artists in relation to traditional Japanese dress.

In places like the Meiji shrine in Harajuku and sophisticated parts of Japan which focus on tradition like Kyoto, Nara, Nikko and many other parts of this fascinating nation. You can peer into the world of ukiyo-e artists, areas of bijinga and ladies in traditional dress. The ghosts of the past therefore remain within “a living tradition” which comes alive during special occasions, or in specific parts of Japan where high culture and tradition remains strong.

 

leejay@moderntokyotimes.com

http://moderntokyotimes.com  

Remembering the fashion sector after the tragic tsunami which killed over 19,000 people

Remembering the fashion sector after the tragic tsunami which killed over 19,000 people 

Michel Lebon, Sarah Deschamps and Lee Jay Walker

Modern Tokyo Times

The events of March 11, 2011, in Japan will forever be etched into the memory of this nation because of the utter devastation that followed. Over 19,000 people perished because of the tsunami which followed the 9.0 magnitude earthquake. Therefore, this event is now embedded within the psyche of Japan and this applies to both the trauma and the response to such devastation.

Internationally, countless nations supported Japan and likewise individuals, charities, organizations and various sectors gave generously to help the people who were hit the hardest. The fashion industry within Japan and outside of this country also supported the people of Tohoku. Likewise, the nuclear shadow meant that many people in the surrounding areas were also worried about this aspect. Given this reality, local fashion companies in Tokyo and other cities provided not only material support but also emotional support.

In Tokyo for example you had the Mighty Harajuku Project which was the brainchild of Sebastian Masuda (6% DOKIDOKI). While internationally powerful fashion houses responded to the tsunami in many different ways in order to support the people of Japan.

Often the fashion industry is portrayed to be “one dimensional” but clearly this sector is far from “one dimensional.” On the contrary, many within the fashion sector responded with care and sincerity. Giorgio Armani, and many other famous people within the fashion sector, showed the “heart of fashion” to the people of Japan.

Indeed, the deep shock of the tsunami and the enormous loss of life encouraged Giorgio Armani to show his deep respect of Japan. He did this during the Paris Fashion Week show in July of last year. During this major fashion event Giorgio Armani incorporated aspects of Japanese culture within his adorable designs.

In an earlier article by Modern Tokyo Times it was stated that “Funds being donated by Armani are much appreciated and the same applies to other famous fashion designers who have done so much to support the people of Japan. Often people only see a single dimension towards fashion and this applies to enhancing beauty.”

“Armani’s exclusive haute couture collection (Fall/Winter 2011-2012) during the Paris Fashion Week highlighted the rich heritage of Japan.  His amazing designs focused on dresses being based on the kimono-style, elegant floral prints on exquisite silk, kanzashi, elements of geisha, and other unique images of Japanese symbols were fused within the stunning Armani collection.”

It may appear that fashion and the tsunami are a million miles apart and in terms of what happened on this tragic day, then this is true. However, in other areas both events came together because fashion helped many people during the psychological stress process and lack of confidence related to the nuclear crisis. Therefore, fashion for many people was “therapeutic” and a way of fighting back against so much trauma and despondency.

Financially, then all economic support was welcomed because many communities were devastated by the brutal tsunami. Alongside the financial aspect was a feeling that other people all over the world truly cared about the plight of people who had been hit the hardest. Once more this helped in the area of psychology.

In the past Japan had been a place for famous international brands to “make hay” and since this tragic event the fashion sector is once more buzzing in this country. In this sense, many international fashion companies and individuals were highlighting their deep appreciation related to past and current connections which remain strong. Giorgio Armani commented that he had been “profoundly moved by the tragic events” related to March 11, 2011.

Giorgio Armani’s fashion show titled the Hommage au Japon meant that his entire fashion collection highlighted the natural beauty of Japanese culture within amazing styles. This genuine warmth was appreciated deeply within the fashion sector in Japan and among lay people who adore the fashion sector. Like usual, the collection highlighted the panache of the individual who created such a stunning fashion display.

Overall, many within the international fashion sector showed their love of Japan by providing many different types of support. This applies to economic support, psychological factors, a collective feeling of humanity, showing the people of Japan that they weren’t alone during this tragic period and in other vital areas.

 

leejay@moderntokyotimes.com

http://moderntokyotimes.com