Tokyo lifestyle: Canal Café in Iidabashi, Chinzan-so garden and fashion in Ikebukuro

Tokyo lifestyle: Canal Café in Iidabashi, Chinzan-so garden and fashion in Ikebukuro

Sarah Deschamps and Lee Jay Walker

Modern Tokyo Times

Tokyo is a very intriguing city which caters for so many different lifestyles. Also, within such a short space of time you can visit a wealth of diversity. This article provides a glimpse into the richness of Tokyo life by focusing on areas which appeal to people of all ages.

Within 9 minutes on the Yurakucho subway line you can visit the mega fashion district of Ikebukuro, the adorable Chinzan-so garden and relax at the Canal Café in Iidabashi. All three places can be visited by the Yurakucho train line and in total it only takes between 9 to 10 minutes in travel time. This amazing area provides amazing relaxation, the crème de la crème of fashion boutiques, the stunning garden of Chinzan-so, delightful Canal Café whereby individuals can enjoy gentle rowing, and so much more.

The Canal Café in Iidabashi is a great place to relax and enjoy the view provided by this elegant café. When the weather permits you will see people enjoying rowing, sitting outside, enjoying the lovely environment, watching the distant trains go by, and soaking up the delightful atmosphere

Also, individuals can enjoy Italian cuisine, Thai curry, and a host of other dishes. The Canal Café provides ample choice and this applies to dining inside, eating certain dishes outside via the spacious seating which is available, relaxing with a quiet drink, and for more daring individuals, then relaxing by rowing. Indeed, the choice angle and spacious sitting areas within the Canal Café, is most appealing and for this reason many Tokyoites enjoy the ambient atmosphere time after time.

The La Cucina restaurant provides delicious Italian food. Therefore, people can decide on a scrumptious meal or a more casual time. Either way, the relaxing nature of the Canal Café, the rowing angle, scenic background, and the spacious layout; means that it is a place which is well worth visiting.

For lovers of fashion then Ikebukuro is an amazing place to visit because this trendy district is going from strength to strength.  The east-side is extremely busy but the fashion angle on the west-side is developing nicely and you have a different feel to both sides of Ikebukuro. Also, the huge train complex is an enormous hub for fashion. Therefore, you will find amazing department stores which include Lumine, Tobu Department Store, Seibu Department Store, Esola, Marui, Parco, and so many other fantastic places to visit, either within the train complex, connected by underground passages (Marui) or within a one minute walk (Parco on the east side).

Of course, Tobu Department Store and Seibu Department Store cater for a wide variety of shopping and both stores focus heavily on their respective Ikebukuro base. The age range may vary at each department store but collectively individuals of all ages are served in Ikebukuro and this applies to stylish companies which provide real quality. This fact means that the fashion scene in this thriving district is blessed with top notch Japanese and international fashion companies, which caters for a vast spectrum of styles.

In Esola you have lovely boutiques which include Actuel, Amphi, Barbie Store, Beardsley Gallardagalante, Blue Bell Market, DouDou, Elleva, FRAMeWORK, Free’s Mart, Jolly Boutique, Muriel & Mercuria, Nuit et Jour Spick and Span, Opaque Clip, Royal Flash, and Turno Jeana. Esola is on the west side and is near to Lumine, Tobu Department Store, within easy reach to the trendy Ikebukuro Fukutoshin area, and within minutes from Marui. Also, you have a delightful art and crafts center in the same vicinity which is a must place to visit for Tokyoites and tourists alike.

Within the same Yurakucho subway line catchment area you have Edogawabashi where Chinzan-so is located. Of course, Ikebukuro is served by many train lines and is the second busiest train station in Tokyo. However, the Yurakucho subway line hub which applies to this article opens up all three areas which are connected by this underground train line.

Chinzan-so is one of the most adorable places to visit in the whole of Tokyo because the garden is extremely rich in history. The landscape and architecture highlights the refinement of Japan within such a compact area. Also, you have many restaurants within Chinzan-so in order to eat scrumptious food and the Japanese angle means that each place matches the scenic surrounding.

On top of this, you have an amazing hotel called the Four Seasons Hotel which is internationally famous(http://www.fourseasons.com/tokyo/) because of the sublime luxury that this company provides. The Chinzan-so based Four Seasons Hotel is located in such an amazing part of Tokyo, that a stay at this luxury hotel must rank high on the list of all individuals who adore quality in all directions. This applies to the stunning garden of Chinzan-so, the exquisite architecture, scrumptious food, richness of culture, and the majestic luxury of Four Seasons Hotel.

Turning back to the stunning beauty of Chinzan-so then in a previous article by Modern Tokyo Times it was stated that “Chinzan-so is a stunning garden in Tokyo whereby you can view the natural beauty of an amazing Japanese garden, beautiful architecture, elements of Buddhism, the magical world of Shintoism, and so much more. Also, unlike the vast majority of stunning gardens in Tokyo which close early this doesn’t apply to Chinzan-so therefore at night the garden is also extremely beautiful and you have many restaurants to eat scrumptious Japanese food. However, being Chinzan-so, then even the restaurants blend in with the natural environment and clearly this beautiful place would bless any major city in the world.”

Indeed, in Chinzan-so you also have a rich Taoist element. Therefore, the fusion of this philosophy, along with Buddhism and Shintoism, highlights the richness of this amazing garden. You also have a sacred 500 year old tree, a delightful waterfall, small Shinto shrine, Taoist images, lovely Pagoda, and so much more. This means that you can’t help but fall in love with Chinzan-so and the views at night are also extremely romantic because the garden is elegantly lit up.

Overall, the three places highlighted in this article show the richness of the lifestyle of Tokyo. After all, throughout this amazing city you will have countless catchment areas which are in easy distance because of the fantastic infrastructure of this high tech mega-city.

 

Chinzan-so and Four Seasons Hotel

http://www.chinzanso.com/english/

http://www.fourseasons.com/tokyo/   Four Seasons Hotel

http://www.chinzanso.com/english/restaurant.html

Canal Café

www.canalcafe.jp 

Fashion

http://www.esola-ikebukuro.com/

http://orizzonti.co.jp/category/actuel/

http://www.barbie-stores.com/

http://www.bluebellmarket.net/index.html

http://www.palgroup.co.jp/brands/doudou/

http://www.turnojeana.jp/

http://www.frees-mart.com/index.html

http://m-muriel.jp/index.html

http://www.elleva.jp/

http://www.frame-works.co.jp/index_n.html

http://blog-s.frame-works.co.jp/  Spick and Span official blog  

http://www.jolly-boutique.com/

http://www.world.co.jp/opaqueclip/

http://royalflash-jp.com/pc/home.html

Other Shops

http://www.loccitane.co.jp/shop/

http://www.unico-fan.co.jp/

http://www.aveda.co.jp/default.asp

http://www.laureloil.jp/

http://www.nonbrush.com/

http://gloccy.jp/

http://www.lunch8.com/

http://www.toffy.jp/

http://ameblo.jp/4ft-ikebukuro/

 

leejay@moderntokyotimes.com

http://moderntokyotimes.com

Japanese art and culture: Yoshu Chikanobu provides a rich glimpse into Japan

Japanese art and culture: Yoshu Chikanobu provides a rich glimpse into Japan

Lee Jay Walker

Modern Tokyo Times

Yoshu Chikanobu (Toyohara Chikanobu) lived between 1838 and 1912 and much of his art highlights the changing nature of Japan. The opening up of Japan after the Meiji Restoration provided many new dreams for Japanese citizens but it also was the start of the death knell for many artisans. This applies to the technological changes taking place and the changing values and thinking during this period of history.

Chikanobu, like other ukiyo-e artists in the Meiji era, understood the need to adapt because many new art forms were altering the artistic landscape in Japan. Western art especially impacted on the new generation of artists and political elites wanted to encourage modernism. Therefore, the new crème de la crème of young artists mainly adopted concepts outside of the powerful ukiyo-e art form which was so potent during the Edo period.

At the same time, technological advancements and photography were impacting greatly on ukiyo-e from a virtually negative point of view. The old ways which nurtured art in the Edo period, along with other forms of art, were being challenged by many new art movements. Also, photography would eat away at the need for ukiyo-e because it could not compete on a technological level playing field.

Chikanobu highlights an array of subjects in his art and this applies to the power of the past to the changing nature of Japanese society. He also depicted powerful historical figures in Japanese history to highlighting the nationalist side of the Meiji period which applies to war. Also, when you view Chikanobu’s art you can visually witness the imperial aspects of Western powers, which were being replicated in dress styles when it applied to elites.

Cultural wise, Chikanobu also painted many adorable themes. This applies to the Japanese tea ceremony, ikebana, kabuki, fashion in the changing Japan, and a plethora of other subjects. In this sense, Chikanobu opens up many aspects of Japan related to many themes. These themes also apply to the “old world” and “new world.”

The Toshidama Gallery (http://toshidama.wordpress.com) comments that “Chikanobu is one of the giants of the Meiji era of Japanese Woodblock prints. With Kunichika and Yoshitoshi, Chikanobu distinguished the turmoil of Japanese culture as it came to terms with the new age. Like them his life and career were inextricably linked to the upheavals in Japanese history and the near civil wars that characterized the time.”

Chikanobu and the series titled A Mirror of the Ages is also a classic because of the rich cultural themes related to women and fashion throughout the changing times. The Toshidama Gallery highlights this series strongly by stating that “This whole series is one of the outstanding achievements of late nineteenth century Japanese art. One of his best series, A Mirror of the Ages showed women by fashion and hair style throughout history. There is of course the longing for the past and yet these prints are unmistakably modern and of their time….The quality of printing is outstanding, especially in Chikanobu’s use of white for the rendering of the powdered faces. It is often forgotten by art historians that this was the period about all others when the technique of woodblock printing achieved its zenith whilst at the same time there were artists of stature to execute it.”

Other adorable print series include “Chiyoda no Ooku” (Court Ladies of the Chiyoda Palace) and “Shin Bijin” (True Beauties). Of course, Chikanobu produced many amazing pieces of art but both the above named series relate to genuine aspects of female beauty in Japan. This is highlighted by traditional clothes, for example the kimono, to the changing nature of the time which applies to Western dress styles.

In a past article about Chikanobu I comment that “Chikanobu not only witnessed the new revolutionary period and how elites looked to the West but by the late 1880s and early 1890s nostalgia also returned.  Obviously for the masses they were outside both themes and the only important thing was survival and adapting.”

The art of Chikanobu stands out dramatically and this not only applies to the exquisite skills that he was blessed with, but also to the themes that Chikanobu highlights. He certainly provides many glimpses into Japan which relate to the “old world,” cultural aspects of Japan, and the modernization of the Meiji period.

Overall, Chikanobu is one of the greats of the ukiyo-e art movement and given the plethora of fantastic ukiyo-e artists, this highlights his richness to the full. Therefore, if you adore Japanese art, culture, and history, then Chikanobu will appeal greatly because of the broad themes he depicted in his art.

 

http://www.toshidama-japanese-prints.com/item_216/Chikanobu-A-Mirror-of-the-Ages.htm

Please visit http://toshidama.wordpress.com for more articles and information.

Please visit http://toshidama-japanese-prints.com/ –   On our site you will see a wonderful selection of Japanese woodblock prints for sale. Ukiyo-e (the Japanese name for woodblock prints of the 18th and 19thcenturies) are beautiful, collectible and a sound financial investment

http://www.depauw.edu/news/index.asp?id=20942

http://moderntokyotimes.com

leejay@moderntokyotimes.com

Tokyo lifestyle in Ueno: culture, fashion, and natural vibes

Tokyo lifestyle in Ueno: culture, fashion, and natural vibes

Sarah Deschamps, Michel Lebon and Lee Jay Walker

Modern Tokyo Times

The Ueno district in Tokyo is extremely diverse because aspects of “Old Tokyo” still survive alongside modernity within this vibrant part of Tokyo. Ueno provides many cultural places to visit. Therefore, Tokyoites and tourists flock to this area because of the many attractions provided. However, within Ueno you get a real mish-mash which flows from cultural attractions to social deprivation; from fashion to the sex trade which is powerful; and other contradictory factors in this famous entertainment district.

Tokyo lifestyle in Ueno and the surrounding area provides a plethora of different angles but unlike most major parts of Tokyo, it is a district which is either loved strongly or disliked. It normally isn’t a district where people sit in the middle because of the very nature of the area. This applies to Tokyoites who are going to pick a new place to reside or to enjoy the natural vibes of this district.

However, from a tourist point of view then Ueno is a must place to visit because you have so many cultural attractions and places to enjoy. Also, the natural raw energy of Ueno can be felt because this part of Tokyo is very distinctive when compared with other major districts. Therefore, tourists can enjoy the usual cultural spots to visit and at night the entertainment aspect of Ueno is extremely vibrant.

Ueno is also a gateway for people who reside in Chiba prefecture and Ibaraki prefecture. In saying this, Ueno is still firmly entrenched within Tokyo because within a short distance by train you have thriving districts like Ikebukuro and Akihabara. In between you have sleepy but beautiful areas like Komagome which is blessed with stunning gardens. Also, Nippori is extremely fascinating because if you visit the old area, then you have many stunning temples to visit – and providing your knowledge of the area is really good, then individuals can walk from old Nippori to Ueno.

The most notable cultural attractions apply to the Tokyo National Museum, National Museum of Western Art, National Museum of Nature and Science, Tokyo Metropolitan Art Museum, Tokyo Bunka Kaikan, National Museum of Eastern Art, Tokugawa Mausoleum, Shitamachi Museum, Sogakudo Concert Hall, University Art Museum (Tokyo University of the Arts), Tosho-gu-Shrine, Iwasaki Family House, Yushima Tenjin, the statue of Saigo Takamori, Ueno Park, Shinobazu Pond, and other attractions like Ueno Zoo. Therefore, from this extensive list, which could easily be added, it is clear that Tokyoites and tourists alike have much to enjoy in Ueno because the cultural factor is very important.

The diversity of Ueno can also be felt within the fashion angle because it is a real mixture of natural street fashion, top notch department stores, independent fashion, and other styles. Ueno isn’t like Aoyama, Ginza, Harajuku, Ikebukuro, Shibuya, Shinjuku, and Omotesando when it comes to fashion; but this doesn’t take away from the buzzing fashion angle of Ueno. This means that the multi-dimensional factor behind Ueno is catering for different fashion vibes alongside the choice of major stores.

In Marui department store you will find many amazing boutiques and stores to visit. Marui is one of the most highly respected department stores for fashion lovers which can be found throughout Tokyo, and in other parts of Japan like Osaka. Marui focuses on lovely boutiques for ladies and caters for male fashion. At all times this company understands the trends of Japan and for this reason it’s pulling power remains strong year after year.

Stores that can be found in Marui in Ueno applies to Sly, Moussy, Vence, Peyton Place, Rew de Rew, Mercury Duo, Jill Stuart, Swingle, Samantha Thavasa, Xmiss, Gap, Muji, Tsumori Chisato, Anna Sui, Earth Music & Ecology, Laisse Passe, Will Selection, Mary Quant, and too many others to mention. The choice on offer by Marui sums up this company very well because you have so many elegant boutiques to visit and other companies in this adorable store. Therefore, Marui in Ueno is a magnet for fashion and the same applies to all Marui stores which enhance the lifestyle of so many Tokyoites.

Matsuzakaya is the most famous major shopping landmark in Ueno because this company was established in this part of Tokyo a very long time ago. Indeed, the company itself can trace itself back to the early seventeenth century. Matsuzakaya sells a vast array of products and given its rich history then individuals should pay a visit. Also, you can buy scrumptious food and enjoy the dining provided within this department store.

Ueno vibes can be felt in places like the Ameyoko bazaar (Ameya-yokocho bazaar) and Takeya where both places provide their own unique angle. Indeed, the Ameyoko bazaar stands out in Tokyo because you have a rare buzzing market to visit which caters for different goods. Likewise, Takeya caters for an array of products and the independent vibe is most welcoming. Therefore, both places are well worth a visit for bargains and to feel a different atmosphere which is rare for Tokyo.

Overall, Ueno is certainly very individualistic and the options available are enormous. This fact means that Tokyoites and tourists continue to flock to this part of Tokyo. Not surprisingly, the cultural angle is a huge pulling power. However, within Ueno you also have an interesting fashion scene and clearly it is a bustling place to reside. In saying that, the beauty of Ueno is that you also have many Buddhist temples, Shinto shrines, and cultural places to visit. This means that Ueno caters for a broad array of individuals.

http://www.tokyoessentials.com/ueno.html  (about Ueno)

http://www.jnto.go.jp/eng/location/regional/tokyo/ueno.html   (info about Ueno)

leejay@moderntokyotimes.com

http://moderntokyotimes.com

Tokyo fashion and the amazing Style Arena website

Tokyo fashion and the amazing Style Arena website

Michel Lebon and Lee Jay Walker

Modern Tokyo Times

The website called Style Arena (http://www.style-arena.jp) is awash with the latest fashion styles which are impacting on the fashion scene of Tokyo. Internationally, Tokyo is one of the most vibrant fashion scenes on this planet because of the fantastic diversity of the fashion scene in this high octane mega city. Therefore, individuals from all over the world are fascinated by the latest vibes hitting the streets of this fabulous metropolis.

Of course you will have many high quality websites highlighting Tokyo fashion. However, it is difficult to surpass Style Arena when it applies to the collective coverage of different fashion districts. Also, Style Arena isn’t focused on any particular boutiques like some other websites nor is this website limited to an over emphasis on one particular angle or special district in Tokyo. Instead, Style Arena updates the “real vibes” hitting Tokyo and gives ample information about the individuals who are highlighted. For this reason, this buzzing website stands out because of the angles which are highlighted and the lovely quality which is portrayed by their in-house images.

The Style Arena website is maintained professionally by the Japan Fashion Association all year round. Therefore, you will see regular updates of new images and important information related to the vibes of Tokyo. Another major theme of this adorable website is the international feel. This applies to the interactive nature of Style Arena which can be viewed in Japanese, Chinese, English, and the Korean language.

This angle highlights the amazing professionalism of this adorable website and that the Japan Fashion Association is fully aware about the power of Tokyo fashion. In this sense, Style Arena can’t be matched when it comes to this fantastic feature. The same also applies to the images of street fashion which isn’t tainted by bias unlike some other websites, which are too predictable after viewing time after time. Therefore, Style Arena is based on freshness and relating to the needs and requirements of the viewer.

On the current main page of Style Arena the vibes of Harajuku, Omotesando, Ginza, Daikanyama, and Shibuya, are highlighted. Thereby, people can not only view the stunning images on show but they can also read about important fashion factors. This notably applies to the respective favorite boutiques of individuals and where they bought their current clothes from.

Other (http://www.style-arena.jp/feature/special/ginza_rw_201203/) lovely features apply to the “Special” area and “Event Snap.” These two important features highlight the latest events in Tokyo and show the fashionable runways which express the stunning nature of Tokyo fashion. Like usual, the images match this area to perfection because the photos are elegantly done.

Throughout the year you will have articles and information about other amazing fashion districts in Tokyo. This entails focusing on Ebisu, Shinjuku, Shimokitazawa, Ikebukuro, Koenji, Nakameguro, Jiyugaoka, Yurakucho, and all fashionable districts of dynamic Tokyo. Alongside this you will have articles which highlight “New Tribes” and “Shops” of interest.

In a past article about Style Arena by Modern Tokyo Times it was stated that “Style Arena began in 2002 and in June this year this stunning fashion website will mark ten years. In all that time people have witnessed a website which highlights the Tokyo fashion scene with complete professionalism and care. This is clearly apparent by the layout, the user-friendly nature of the website, striking images of fashionable individuals in Tokyo, and updated information highlighting fashion companies, new trends, and other important areas.”

At Modern Tokyo Times we have no qualms about highlighting Style Arena and stating openly that this amazing fashion website can’t be surpassed, when it comes to “the real fashion angle” of this amazing city. This applies to the interactive nature of Style Arena related to language, images, information, user-friendly layout, unbiased focus on the Tokyo fashion scene, and other important areas.

It is also important to stress that for boutiques which are focused on the fashion scene in Tokyo – a wealth of essential information is being provided by Style Arena. After all, information about favorite boutiques and so forth is provided under the main image highlighted. This fantastic feature can be utilized by fashion lovers and the fashion sector alike.

If you adore Tokyo fashion and want to view the diverse nature of street fashion and the latest vibes hitting Tokyo. Then without a shadow of a doubt Style Arena is a must for all individuals who cherish the fashion scene of Tokyo. Style Arena is simply a cut above the rest when it applies to the collective fashion angle of buzzing Tokyo.

 

http://www.style-arena.jp

http://www.style-arena.jp/street/individual/dt/4917

http://www.style-arena.jp/feature/special/ginza_rw_201203/

Images in this article are not from Style Arena.  Please click on the Style Arena website to view the latest trends of Tokyo.

The images in this article belong to Modern Tokyo Times but please feel free to use our images. If you mention Modern Tokyo Times it would be appreciated but all images are for our supporters and belong to everyone because of our interactive nature.

leejay@moderntokyotimes.com

http://moderntokyotimes.com

Japanese art and Yuzo Saeki: the “outsider” who died in a distant land in an insane asylum

Japanese art and Yuzo Saeki: the “outsider” who died in a distant land in an insane asylum

Lee Jay Walker 

Modern Tokyo Times

The artist Yuzo Saeki gave much to the Japanese art world despite dying at the age of 30. Yuzo Saeki was born in 1898 and passed away in 1928. However, despite his time on this earth being brief he did much and left an intriguing legacy which also applies to areas outside of art. This applies to the way he was “thrown to the wolves” while feeling entrapped by health problems, cultural factors, and being abandoned by a culture which did not love him back.

In many ways, Yuzo Saeki represents the “outsider” which resides in all nations throughout the world, and within nations where the marginalized are unloved. Also, he highlights the complexity of culture and how individuals may adore aspects of a new culture – but this “new culture” isn’t able to respond in kind. Therefore, the society that abandoned him was the French culture that he admired and desired to belong. However, he always remained to be the “outsider” in a country which inspired him and pulled away at his tormented soul.

Yuzo Saeki provides a genuine glimpse into the “real separation” of “a love affair” which refused to acknowledge his deep love of Paris and France. This applies to many art pieces whereby the distance from his vantage point is noticeable by the confused lettering of certain places he depicted. Also, the manic and confused lines within some of his art may denote all the inner-confusions and utter desperation that he felt at times. Despite this, and being in extremely poor health, he could not pull himself away from a culture which inspired him to create stunning pieces of art.

Yuzo Saeki was born in the vibrant city of Osaka and from a very early age he fell in love with art. The Buddhist faith ran through his veins when a child because his father was a Buddhist priest. On top of this was the changing nature of Japanese society which also swept away many traditions and depleted many rich trades. In this sense, modernization in both France and Japan was ripping many lives apart. Yet, on the other hand both societies were providing new opportunities.

The Meiji and Taisho periods in Japan were full of mass contradictions because on the one hand a new modern dynamic was part and parcel of the “new” Japan. Opposite to this, was a new nationalist period whereby Japan would join “the Western club” and “Islamic club” of colonialism. Amidst all these contradictions was a very talented artist called Yuzo Saeki who meant no negative things towards anyone. Instead, he just wanted to focus on the vocation that he adored. Sadly, life is never that simple for some individuals and ultimately his vocation also created great suffering for Yuzo Saeki.

Western art in Japan was provided with a small “window” in Nagasaki by the Dutch during the Edo period. However, in the period of Yuzo Saeki no other city was more vibrant than Paris when it came to new art movements. The old world of influence from China and Korea was on the wane for many artists and the same applies to the rich traditions of Japanese art. Therefore, the pull of Western art was extremely strong for Yuzo Saeki and in time Paris and France would become “a love affair” with “a poison chalice.”

It must be stated that many other Japanese artists didn’t suffer the same fate in France. Given this, it is clear that the deep passion within Yuzo Saeki was extremely unique but what tipped everything in the wrong direction near the end, applies to the tragic circumstances of his life. This notably applies to poor health; poverty; alienation in a country he adored; mental exhaustion because he could feel “the gates of death beckoning;” isolation; and trapped by his own “love affair” with a culture which was alien to him despite being familiar with France.

In an earlier article I state that all “…these negatives conspired together because at the age of 30 Yuzo Saeki died in destitution in a mental hospital in France. The culmination of tuberculosis, a nervous breakdown brought on by overwork, limited means to survive, still painting outside despite worsening health conditions and other factors; all led to a very sad ending of what should have been a bright future.”

It is easy to imagine Yuzo Saeki eating inadequately based on poverty while at the same time coughing up blood because of tuberculosis. Near the end he manically painted new pieces of art because he felt “the gates of death.” Therefore, even when the weather was negative he continued to paint while bringing up blood would have interrupted him from time to time.

This meant that the reality of different thought-patterns, diverse movements within the respective art scenes of both France and Japan, and other complex factors, could easily “swallow up” individuals who were beset by various issues. Given this, when Yuzo Saeki needed guidance and support he had nobody to help him in a distant land. His “moment in time” was very different to the norms of the art scene in Paris and different cultural factors meant that he was isolated internally.

The final year alone in France was a far cry from 1924 when he moved to this nation with his wife and young daughter. Then he at least had the home comforts to placate the other “love affair” which didn’t love him back.

Michael Brenson commented in the New York Times that “When European art began to question its own traditions, however, as it did increasingly during and after World War I, there was a potential for trouble. Artists could find themselves with neither a European tradition to learn from nor a Japanese tradition to hold onto. When Saeki Yuzo, who is perceived in his country as a tragic hero, the Japanese van Gogh, died at the age of 30 in an insane asylum in Paris in 1928 – perhaps a suicide – he had been trying to paint in this void. Saeki continues to be an example to Japanese artists abroad of the difficulties in reconciling East and West…His paintings reflect his isolation. His cafe windows and stores are filled with signs, some illegible. In his “Snowy Landscape,” figures are on the verge of illegibility. His signs seem like scars of an internal pressure to resolve a conflict between the independence and picturesque subject matter of Paris and a dependence upon his native calligraphic and woodcut tradition.”

The comments made by Michael Brenson are extremely illuminating because it paints a picture of an artist who is trapped by the cultural realities of both nations. At the same time, he appears to notice his isolation and withdraws from a distance whereby the signs are often illegible. However, it is not only the signs which sometimes become illegible because also the human form enters a dark and sinister world where the scars of life are all too real.

Yuzo Saeki also highlights the “outsider” who never can belong despite his love of the host nation. This shared experience can be felt by individuals throughout the world who often feel the same pressure and isolation. Often, it may not always be the host nation because much can depend on cultural differences and certain “norms” which clash strongly in some cultures.

However, with the visible signs of tuberculosis, the mental strains of creating more art pieces because of the knowledge that death was getting nearer, and the grind of daily poverty pulling away at him; it is clear that nobody stepped in . Therefore, not one single individual in Paris cared enough to help Yuzo Saeki to the full. This culminated in the sad reality that his passionate “love affair” was one way because in his “time of need” he was abandoned to the ravages that befell him.

In the end Yuzo Saeki sacrificed his life and his family because he died based on the factors that entrapped him and took away his life. This applies to tuberculosis, poverty, and suffering from a mental breakdown. Michael Brenson also hints that he may have committed suicide in the end. However, the fact that this is debatable highlights the reality that Yuzo Saeki had been “thrown to the wolves.” Therefore, near the end he was just “another number” who was unloved and who died in an insane asylum in a distant land.

 

http://www.art.com/gallery/id–a228566/yuzo-saeki-posters.htm

http://www.nytimes.com/1987/12/25/arts/when-japan-s-art-opened-to-western-winds.html

http://www.japantimes.co.jp/text/fa20070301a1.html

leejay@moderntokyotimes.com

http://moderntokyotimes.com

Alfred Sisley and Fujishima Takeji: Art, Impressionism and the Paris connection

Alfred Sisley and Fujishima Takeji: Art, Impressionism and the Paris connection

Lee Jay Walker

Modern Tokyo Times

Alfred Sisley and Fujishima Takeji were both born in the nineteenth century and their common factors apply to the stunning art they produced and the richness of Paris which influenced both artists. They both also studied at the Ecole des Beaux-Arts de Paris in France.  However, the generational gap meant that both individuals studied at this important institution at different periods.

Fujishima Takeji (1867-1943) and Alfred Sisley (1839-1899) may have been born in two very different parts of the world but the Paris connection brought them together in the artistic sense. Alfred Sisley retained his British citizenship throughout his life despite being born in Paris and residing mainly in France. Therefore, Alfred Sisley was firmly based in Europe while Fujishima Takeji understood the diverse complexities of both Japanese art and European art.

However, Alfred Sisley would have connected with the birth place of Fujishima Takeji because he was born in Kagoshima. The reason for the connection applies to the countryside which meant so much to Alfred Sisley who adored landscape art. This also is another common theme shared by both exquisite artists.  The same also applies to Impressionism which meant so much to both artist but for Alfred Sisley the power ofImpressionist landscape was much deeper.

The stunning Impressionist landscape art of Alfred Sisley amazingly appears to be massively underrated when it comes to the fame of his name. Of course, for people who adore Impressionist art and art in general, then Alfred Sisley will be known to many. However, even within the art world his name doesn’t spring to mind when compared with other Impressionist artists. This is extremely surprising because he produced many sublime pieces of art which strikingly standout.

One important difference between Fujishima Takeji and Alfred Sisley is that Alfred Sisley never left the path ofImpressionist landscape art. Impressionism meant the world to Alfred Sisley. However, for Fujishima Takeji the influence of Japanese art and searching for new ideas meant that other art movements were equally important.

Fujishima Takeji had originally started studying traditional Japanese painting when he relocated to Tokyo in 1884. During this period he studied under Gyokusho Kawabata and prior to this he had learnt brush stroke techniques under Togaku Hirayama. However, the lore of Western art appealed greatly to Fujishima Takeji therefore he soon changed his art direction and focused on Western-style paintings. He was lucky enough to study under Hosui Yamamoto and Yukihiko Soyama when he made this transition and it soon became apparent that Fujishima Takeji had taken the right path.

Outside of Japan Fujishima Takeji became known for his importance in focusing on and developingRomanticism and Impressionism which graced the Japanese art scene called yoga (Western-style). This change of direction would also witness Fujishima Takeji becoming influenced by Art Nouveau. Yet despite the many influences it was the yoga path which became instrumental to him by the mid-1880s. Great credit for enhancing his abundant talent must be given to Hosui Yamamoto and Yukihiko Soyama for their expert guidance.

Ironically, the industrialization and innovation of the Meiji Restoration (1868) meant that new opportunities were occurring within all strata’s of society. This enabled many Japanese artists to focus on new art forms and to free their minds whereby many paths were open to talented artists outside of the traditional art forms of Japan. However, for Alfred Sisley his stunning art bypassed the power of industrialization and instead it would appear that nature was in the ascendancy. This was also done without any political or romantic bias because everything seemed so natural and this is the beauty of Alfred Sisley.

Another different aspect to the lives of Fujishima Takeji and Alfred Sisley applies to material wealth and certainty. Alfred Sisley was born into a wealthy family but after the 1870-1871 Franco-Prussian war, everything changed because poverty and challenging times would now become the norm. In this sense, Fujishima Takeji overcomes material obstacles because his later life was extremely stable when it came to financial matters. However, for Alfred Sisley this area remained problematic for him despite having wealthy patrons which enabled him to travel to Britain from time to time.

Despite poverty remaining with the Sisley family this never dampened his spirit and love of Impressionism. Therefore, he rose above everything and continued to produce stunning landscapes throughout his remaining years on this earth. Also, when the Sisley family moved away from Paris and relocated near to the forest of Fontainebleau, this decision turned out to be very fruitful because it suited his style of art. Given this, Alfred Sisley became refreshed by the surrounding environment because he did not need the trappings of major cities by this stage in his life.

Meanwhile the life of Fujishima Takeji in the 1880s was given a huge boost by the novelist and art critic, Ogai Mori. This applies to the fact that Ogai Mori was highly respected and well connected. Therefore, Fujishima Takeji was now moving in the right circles and he clearly utilized all the wisdom and skills that he had learnt from Togaku Hirayama.

The Marubeni Art Collection states that “In 1905, Fujishima traveled to Europe and studied under Fernand Cormon at the Ecole des Beaux-Arts de Paris in France and Carolus-Duran, President of the Academie de France in Italy. Cormon’s speciality was historical paintings, while Duran excelled in portraiture.”

This meant that Fujishima Takeji also studied at the same institution and while Alfred Sisley had sadly passed away in 1899, his spirit and the power of the art he produced remained strong. Therefore, the same art institution and the trappings of Paris will have been felt richly for both stunning and gifted artists. The meaning of the art institution and their time in Paris will have meant different things. However, certain connections will have flowed in their veins even if the outcome was different for both individuals.

The Marubeni Art Collection continues by stating that “On his return, in 1910, Fujishima was nominated Professor of Tokyo Art School and became a member of the Imperial Art Academy (the Teikoku Bijutsu-in), as well as a member of the jury for its exhibitions, known in abbreviations at the Tei-ten. In 1937, he received the very first Order of Culture (Bunka Kunsho), a decoration given by the Government to those who have contributed greatly to the development of art, science and other fields of culture, along with Saburosuke Okada.”

Overall, the beauty of the art work of Alfred Sisley and Fujishima Takeji is abundantly clear when you view their most famous pieces of art. Certain flows of history and important circles naturally entered both of their respective worlds irrespective if the outcome was different. These two amazing artists have left a rich legacy and both need to be studied more in the modern period because of the richness of the art they both produced.

 

http://www.alfredsisley.org

http://www.vincentvangoghclaudemonet.org/artist/Fujishima_takeji.html

Image 1-3-5-7-9-11-13-15 are pieces of art by Alfred Sisley and number 2-4-6-8-10-12-14 are art pieces by Fujishima Takeji.

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Claude Monet was smitten by Japanese art: Impressionism and ukiyo-e

Claude Monet was smitten by Japanese art: Impressionism and ukiyo-e

Lee Jay Walker

Modern Tokyo Times 

Claude Monet was very important within French Impressionism and despite new artistic movements like Cubism and Fauvism altering the artistic landscape, he remained firmly committed to Impressionist art. Another major art theme which would shape Claude Monet was Japanese ukiyo-e because he was smitten by this art form when he witnessed it with his own eyes. Therefore, Claude Monet utilized these two powerful art movements and the upshot of this was stunning fresh art pieces which remain etched within the memory.

The Impressionist art movement altered the artistic world dramatically and created a new energy to art. However, for Claude Monet, and others, Impressionism was a philosophy which remained with him until parting from this world.

He was born in 1840 in Paris and died in 1926. Throughout his long life he created extremely stunning art which is internationally admired. From an early age Claude Monet adored art and in the early period he took lessons from Jacques-Francois Ochard. However, his early mentor who taught him about using oil paints was Eugene Boudin, a fellow artist, whom he met when still a teenager. Claude Monet and Eugene Boudin also benefitted from the influence of Johan Barthold Jongkind.

The year 1857 was very dramatic and full of sadness because Claude Monet’s mother died. From this period to the early 1860s he witnessed many highs and lows because other family members were opposed to his strong focus on art. In the early 1860s he served in the French army in Algeria and was meant to have stayed for seven years. However, after suffering from typhoid fever he was allowed to leave after two years because of the actions of his aunt and the reported prompting of Johan Barthold Jongkind.

Claude Monet in 1862 could once more fully concentrate on art but he wasn’t interested in following traditional art. He now became a student under Charles Gleyre in the dynamic city of Paris. In time he would meet powerful artists like Alfred Sisley, Pierre-Auguste Renoir and Frederic Bazille. These artists were focused on new approaches to art and in time the Impressionist movement would radically alter the artistic landscape. Therefore, because of these individuals and others who were dedicated to new artistic concepts, a rich flow of art would galvanize the art world which remains vibrant today.

The 1870s was a very dramatic period for Claude Monet because the Franco-Prussian war of 1870-1871 and the revolutionary fervor which gripped Paris, led to many upheavals. During the same period he was touched by Japanese print making called ukiyo-e. This love affair would stay with him for the rest of his life. However, the death of his wife from tuberculosis in 1879 after several years of illness shattered Claude Monet because he doted on Camille Doncieux.

Turning back to the impact of Japanese art on Claude Monet the writer Don Morrison, Time Magazine, commented in his article (Monet’s Love Affair with Japanese Art) that “One day in 1871, legend has it, a French artist named Claude Monet walked into a food shop in Amsterdam, where he had gone to escape the Prussian siege of Paris. There he spotted some Japanese prints being used as wrapping paper. He was so taken by the engravings that he bought one on the spot. The purchase changed his life — and the history of Western art.”

“Monet went on to collect 231 Japanese prints, which greatly influenced his work and that of other practitioners of Impressionism, the movement he helped create. Under the new Meiji Emperor, Japan in the 1870s was just opening to the outside world after centuries of isolation. Japanese handicrafts were flooding into European department stores and art galleries. Japonisme, a fascination with all things Japanese, was soon the rage among French intellectuals and artists, among them Vincent van Gogh, Edouard Manet, Camille Pissarro and the young Monet. Perhaps for that reason Impressionism caught on early in Japan and remains ferociously popular there.”

While it is known that Claude Monet adored ukiyo-e you still have major debates about how Japanese prints influenced him personally. This topic is still up in the air to many art experts and the opinion varies greatly.

On the following website (http://www.intermonet.com/japan/) it is stated that “Art historians do not agree about this point: was Monet really under Japanese influence, or did he seek confirmations of his own research in Eastern art?”

“However, an attentive eye can establish interesting connections. The influence of the prints on Monet’s art can be noted in the subjects he chose, in the composition, in light……But Monet knew how to be inspired without borrowing. His paintings diverge, from the prints by many aspects. The Japanese artists liked to feature the anecdotic or dramatic moments, Monet concentrated on light, which was the very subject of the canvas – the object was no more than (a) medium to convey the plays of light.”

Art historians can either play up or play down the influence of ukiyo-e within the art of Claude Monet. However, he was clearly charmed by the ukiyo-e of individuals like Hokusai, Hiroshige, and Utamaro. This isn’t open to debate because not only did Claude Monet buy vast amount of ukiyo-e art prints but he also created a Japanese garden in his cherished home. He, and many other important Impressionists, was clearly inspired by many aspects of ukiyo-e.

The cultural dimension could never be bridged because of different thought patterns and factors behind both respective art movements. However, the richness of ukiyo-e and the freshness of this style did reinvigorate many artists in Europe and North America. Therefore, while the degree of influence may vary to respective artists who adored ukiyo-e, it is clear that new artistic concepts within ukiyo-e did inspire new thinking within many Impressionists.

Don Morrison comments that “Perhaps the greatest gift Japan gave Monet, and Impressionism, was an incandescent obsession with getting the play of light and shadow, the balance of colors and the curve of a line, just right — not the way it is in reality, but the way it looks in the artist’s imagination. “I have slowly learned about the pattern of the grass, the trees, the structure of birds and other animals like insects and fish, so that when I am 80, I hope to be better,” Hokusai wrote 16 years before his death at age 89. “At 90, I hope to have caught the very essence of things, so that at 100 I will have reached heavenly mysteries. At 110, every point and line will be living.” Monet spent the last decades of his life painting his water lilies, and then painting them again, until he lost his sight in quest of an elusive, transcendent perfection that might best be called Japanese.”

The love affair that Claude Monet found with Japan in his lifetime remains powerful in modern Japan. After all, without a shadow of a doubt Claude Monet is one of the most popular artists in this country. Therefore, the “love affair” worked both ways and this “spark” remains extremely bright today in Japan amongst art lovers.
http://www.time.com/time/magazine/article/0,9171,1573943,00.html#ixzz1uXJiJOmX

http://www.intermonet.com/japan/

leejay@moderntokyotimes.com

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Fukushima fashion in Koriyama: stunning boutiques in this trendy part of Japan

Fukushima fashion in Koriyama: stunning boutiques in this trendy part of Japan

Sarah Deschamps and Lee Jay Walker

Modern Tokyo Times

Koriyama is a buzzing city in Fukushima where the fashion sector is extremely vibrant. Images of Fukushima are often portrayed negatively because of the nuclear crisis that followed the devastating tsunami on March 11, 2011. However, the vast majority of Fukushima is awash with stunning nature and is open for business. Indeed, the fashion angle to Koriyama is extremely stylish and elegant and clearly the younger generation is well served because you have so many stunning boutiques to visit.

Fashion in Koriyama caters for individuals of all ages and you will find many sophisticated boutiques selling luxury items. The choices available are extremely varied and this applies to high-end fashion, new trendy vibes, elegant styles which suit people of all age groups, alternative fashion, and famous international brands. Therefore, for tourists who plan to visit Fukushima because of the abundance of adorable nature, then clearly the fashion angle to Koriyama will take people by surprise.

If you close your eyes you could easily be in trendy Ikebukuro, Shinjuku, Shibuya, and other buzzing districts in Tokyo. However, this is the strong fashion vibes of Koriyama in Fukushima whereby the following images highlight the trendy nature of fashion in this highly developed city.

In the S-PAL Department Store you will notice how trendy and stylish the local ladies are because the dress styles are elegant. Throughout this store you have so many fabulous boutiques to visit and for young ladies it is a paradise for shopping. Adorable boutiques include Forest Heart, Index, The Emporium, VIS, E hyphen World Gallery, Earth Music & Ecology, Lowrys Farm, EMSEXCITE, Luccica, East Boy, and so many other stunning fashion companies. Therefore, for ladies who adore fashion a visit to S-PAL is highly recommended.

The S-PAL Department Store is located within the train station and within easy walking distance you have the exquisite Usui Department Store. This high-end department store would grace the most sophisticated parts of Tokyo, Paris, Milan, New York, Seattle, London, and other major fashion cities throughout the world. Therefore, for the people of Fukushima who desire luxury and extravagance then clearly the Usui Department Store provides this in abundance. In saying that, you will also find extremely stylish companies where the prices are very competitive and alluring for people who shop in this lovely department store.

In Usui Department Store you will find exquisite boutiques, jewelry companies, the crème de la crème of cosmetic companies, and so much more. A partial list includes Estee Lauder, Shiseido, Tiffany, Ralph Lauren, Peyton Place, Indivi, Itariya, Kanebo cosmetics, Pride and Unspeck, Swarovski, Lesouk Prix, Ined, ef-de, Coach, Reliant, Powder Palette, Franco Ferrer (b), and a host of other sublime companies. The Usui Department Store is a real gem of a company which highlights the elegance of fashion in Koriyama.

Another lovely fashion store catering for different styles is Molti Department Store which is extremely near to S-PAL. In Molti Department Store you will find many fashion companies catering for both sexes but clearly this store is extremely popular for young ladies. This is because of the stylish nature of the fashion on show and both department stores within the train station area enhance the fashion vibes of both companies.

Adorable boutiques in Molti Department Store include Clef De Sol, Raugefeel, MIX-O, a.v.v., Faunny Luv, Amare MYLEPR, Aspri Classe, Mighty Circle, Love & Peace, Benetton, Amo’s Style, and many others. Also, the international flavor can be found in other areas and this applies to the Body Shop or relaxing over coffee at Starbucks. This store certainly attracts the fashion conscious and the ambience is really nice.

It is also worth checking out the streets near the train station because you also have independent boutiques catering for various tastes. Therefore, Koriyama is certainly a fantastic city to visit from the fashion point of view.

Overall, it is clear that Fukushima needs internal tourists and international tourists to visit the many beautiful parts of this prefecture. The purpose of highlighting fashion in Koriyama is to show a different image to all the negative news about Fukushima. Therefore, by highlighting the fashion sector in this commercial city it shows that business and life is not only ticking but it is also vibrant.

Koriyama is only 55km from the Fukushima Daiichi nuclear plant. However, the atmosphere is 2012 is vibrant, energetic, and the fashion scene is extremely elegant. The photos in this article show the “real Koriyama” which is being neglected in the international media. Therefore, the best way to support the recovery of the Tohoku region is by visiting when possible in order to help the local economy.

The Koriyama fashion scene is buzzing and from this modern city you can visit many beautiful parts of Fukushima. This applies to the stunning mountain ranges, the many beautiful ponds which dot the landscape of the Ura-Bandai area, Abukuma Cave, a stunning castle, sophisticated museums, and so much more. Fukushima provides the lot, from adorable fashion in the main commercial city of Koriyama to stunning nature – and because of the Shinkansen train system, it means that it takes only around 80 minutes from Tokyo.

 

Boutiques

http://www.ef-de.jp/

http://www.ehyphen.jp/

http://www.feroux.jp/

http://www.earth1999.jp/

http://www.ined.com/

Department stores

http://www.usui-dept.co.jp/

http://www.s-pal.jp/

http://www.molti-koriyama.jp/

http://moderntokyotimes.com/2012/05/02/japan-tourism-and-fukushima-abukuma-do-koriyama-and-urabandai/

All fashion images belong to Modern Tokyo Times but please feel free to use providing you mention our website.  Thanks!

leejay@moderntokyotimes.com

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Japanese art and Asai Chu: the eclipse of ukiyo-e by western style art

Japanese art and Asai Chu: the eclipse of ukiyo-e by western style art

Lee Jay Walker

Modern Tokyo Times

 

The Meiji Restoration of 1868 led to many social convulsions and like all revolutionary periods you had many winners and losers. This applies to individuals who could adapt to the rapid changes in society and the art world was no exception in Japan. Asai Chu (1856-1907) belonged to this changing world. However, in some ways he was lucky because he was young enough to understand these momentous events in Japanese history.

The old world of ukiyo-e would become eclipsed in the lifetime of Asai Chu despite some amazing Meiji ukiyo-e artists. Not surprisingly, Asai Chu became involved in the new wave of Japanese art which was heavily influenced by Western style artists. Of course, it wasn’t all one way because many Western artists like Van Gogh, Paul Gauguin, Claude Monet, Edgar Devas, James Abbott McNeill Whistler, Mary Cassatt, Henri de Toulouse-Lautrec, and many others, adored ukiyo-e and Japanese style paintings.

However, the technological developments of photography and other areas meant that ukiyo-e could not compete on a level playing field based on modernization alone. Also, different cultural influences and Japanese artists living abroad meant that new dynamics were at work. This implies that while technological change speeded up the artistic transition, the old order would have been usurped anyway because of cultural interaction and changing thought patterns. Therefore, for individuals like Asai Chu these were exciting times.

Ironically, the Meiji period did witness many fantastic ukiyo-e artists and it is because of these individuals that it managed to cling on for so long. Notable Meiji ukiyo-e artists include Yoshitoshi, Chikanobu, Kobayashi Kiyochika, Ogata Gekko, Kawanabe Kyosai, Toyohara Kunichika, Utagawa Yoshifuji, Mizuno Toshikata, Ginko Adachi, and several others. However, they were swimming “against the tide” despite their collective skills blessing the art world and enriching Japanese art.

Traces of the old world survived in modern Japan through new movements like shin-hanga but this area was limited when compared with the days of Hokusai, Hiroshige, Utamaro, and many other amazing artists, who belonged to the world of ukiyo-e. However, this isn’t to underestimate the shin-hanga movement because it produced many stunning artists like Ito Shinsui, Hiroshi Yoshida, and Kawase Hasui (to name just a few). Also, the bridge of the shin-hanga movement meant that “the shadow” of the old world was ticking but fused with new changes and thinking within this intriguing art form.

Asai Chu blossomed under Kunisawa Shinkuro and he was lucky enough to study under Antonio Fontanesi. The reason why he had this opportunity was because of the Meiji elites who wanted to transport the best of the Western world and fuse this with the best of Japan. Therefore, in the area of science, the arts, law, industrialization, military thinking, commerce, political systems, and so forth, the power of the West became embodied within the psyche of the new Japan. Of course, while new thought patterns emerged, the power of Japanese culture and different thought patterns meant that you had a lot of fusions. Therefore, in certain areas “a new way” emerged based on Japanization.

In an earlier article I stated that “The Meiji government hired Antonio Fontanesi in order that he would introduce oil painting from Europe and clearly Asai Chu learnt much because his passion and sophistication grew. When Asai Chu was in his forties he resigned from being a professor in Tokyo and moved to France for two years. This decision was wise because by studying at an impressionist art school he managed to enhance his artistic skill and techniques.”

“Also, the cultural aspect of studying in France meant that new styles of thinking and artistic creativity would further enrich his rich talents. This decision also shows that Asai Chu was still searching and despite the relative comfort of being a professor in Tokyo he was willing to take risks in order to pursue his love of art.”

The inquisitive nature of Asai Chu and his love of art meant that France would enhance him personally, and in turn he would influence many important Japanese artists when he returned home. This must have pleased the Meiji leaders who were involved in the arts because the younger generation of aspiring artists had an individual to look up. This is based on his stunning art and the rich knowledge that he had obtained in Japan and France.

Therefore, artists like Yasui Sotaro, Suda Kunitaro, Umehara Ryuzaburo, and many others, learnt many things from Asai Chu. On returning to Japan he became a professor at Kyoto College of Arts and Crafts and because of his enthusiasm for art, he was involved in many clubs related to this field. Therefore, just like the dynamic Meiji period it is abundantly clear that Asai Chu was equally creative and vigorous.

In my earlier article about Asai Chu and the role of the Meiji political leadership, I comment that “Meiji political leaders impacted on art in this period and introduced new art forms from outside of Japan. However, at the same time political leaders were concerned about preserving the richness of Japanese art and culture. This minefield wasn’t easy and conservatives and liberals understood what was at stake but for individuals like Asai Chu the issue was “art” and not politics or cultural engineering.”

Ukiyo-e was clearly on “borrowed time” because of the prevailing conditions and artists like Asai Chu re-invigorated Japanese art. The shin-hanga movement meant that the power of ukiyo-e was kept alive for many decades throughout the twentieth century. It matters not that the thought patterns, concepts, and art, were very different because the link is evidently clear for all to see.

However, the world of Asai Chu would impact greatly on Japanese art because so many other fellow nationals were inspired by Western art. However, in truth, each new movement will one day be eclipsed by new concepts, styles, and thinking. Therefore, the diversity of Japanese art is blessed by each special art movement irrespective if the roots began in Japan, China, France, Holland, or wherever.

leejay@moderntokyotimes.com

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Japan tourism and Fukushima: Abukuma Cave, Koriyama, and Ura-Bandai

Japan tourism and Fukushima: Abukuma Cave, Koriyama, and Ura-Bandai

Lee Jay Walker

Modern Tokyo Times

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Fukushima is a stunning prefecture in Japan which is awash with amazing landscapes where people can escape the stresses of life. Koriyama is the commercial capital of Fukushima prefecture and for many tourists this city is an ideal base. Also, since the events of March 11, 2011, this part of Japan received international attention because of the nuclear crisis but for the vast majority of this lovely prefecture, life is in full swing and is open for business. Therefore, for internal tourists in Japan and international tourists, it is a great way to support the local economy and at the same time have an amazing holiday because of the stunning nature of Fukushima.

Koriyama is an ideal base because of the amenities available which are top notch. This applies to high quality hotels, modern transport system which is served by the Shinkansen train system, excellent restaurants, stylish boutiques and a buzzing fashion scene, accessible to many places to visit, and a host of other factors. Indeed, it is clear that Koriyama in 2012 is a dynamic city which is the heart of the ongoing development of this beautiful prefecture.

The Abukuma Cave in Fukushima is a great place to visit because this limestone cave is well looked after and provides amazing views inside. Individuals are given two options which apply to a relaxing walk within Abukuma Cave. Therefore, for individuals who are not so healthy then this walk is advised because you can enjoy at your own leisure. However, if you are healthy and adore a challenge then the complex route is most rewarding. Yet be prepared for two or three very difficult areas where you have to nearly crawl in order to get through and continue your walk.

Scenic views within the cave are enthralling and clearly this limestone cave is well preserved and serves tourism in Fukushima extremely well. The views outside Abukuma Cave are also richly rewarding and you have other tourist attractions to enjoy. Therefore, a visit to Abukuma Cave is extremely rewarding and the history behind the formation of stalactites and stalagmites is very interesting.

Another amazing places to visit in Fukushima is Ura-Bandai and this notably applies to Goshiki-numa (five ponds of color). Of course the entire area is awash with amazing scenary and walks to enjoy. Yet the walk in Goshiki-numa is extremely rewarding and will always stay with you because of the stunning scenary and the richness of color. The reason behind the different colors of ponds, and why you have so many ponds and lakes, is because of the volcanic eruption of 1888 which flowed naturally into the Nagase-gawa which is a major river.

Most notable lakes and ponds that were created after the lava from the eruption in 1888 occurred apply to Nakase-numa Pond, Lake Onogawa-ko, Oguni-numa Pond, Lake Hibara-ko, and Lake Akimoto-ko. You also have a wealth of marsh areas. In total you have more than 100 ponds and lakes within the Ura-Bandai area (Bandai-kogen Highlands) and the Goshiki-numa (five ponds of color) walk is a must for all nature lovers. After all, the richness of different colors is a wonder to behold and the walking trail is really enjoyable and for photographers it is a paradize.

Also, for lovers of art and culture you have a stunning museum to visit called Morohashi Museum of Modern Art. The architecture of this museum is really pleasing on the eye and the backdrop of stunning mountains and a stream passing by the art gallery is truly inspiring and melts the heart.

The Morohashi Museum of Modern Art concentrates on such great artists like Paul Cezanne, Salvador Dali, and Pablo Picasso. Currently, you have a major exhibition which highlights the work of Salvador Dali. Also, within this lovely art museum you have many galleries to explore other artists and you also have a nice place to drink coffee and eat cake. This enchanting museum is a must place to visit because it provides a lovely cultural angle which blends naturally within the stunning scenary of Ura-Bandai.

Throughout Fukushima you have many amazing places to visit and given the circumstances of March 11, 2011, it is essential for internal tourists to support the local economy. The same applies to international tourists because Fukushima prefecture and the Tohoku region needs to recover completely from the devastation of the tsunami which killed so many individuals and caused havoc.

At the same time, tourists will be richly rewarded because Fukushima prefecture is a real gem. In Koriyama you will notice a thriving commercial centre where fashion is a major feature. From this ideal base you can visit many tourist attractions including stunning mountain ranges, lakes, ponds, the amazing Abukuma Cave, Tsuruga Castle, Oyaku-en Garden, and so much more. Simply put, Fukushima prefecture is an ideal location for tourists to enjoy stunning nature and relax by visiting an onsen, whereby you can refresh your body and mind.

http://www.jnto.go.jp/eng/location/regional/fukushima/bandaikougen.html

http://dali.jp/english/ – The Morohashi Museum of Modern Art

http://www.tohokukanko-fukkou.jp/en/371.html Ura-bandai and Goshiki-numa

Art image – MARC CHAGALL  – currently on show at The Morohashi Museum of Modern Art

leejay@moderntokyotimes.com

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